Interview: Karan Anshuman, Rana Daggubati, Suparn Varma, Sunder Aaron (Rana Naidu)

Recent Posts

• Interview: Karan Anshuman, Rana Daggubati, Suparn Varma, Sunder Aaron (Rana Naidu)
• ‘Spotify: Cinema with BR’ Episode 9: Lessons for first-time directors, from Ganesh K Babu (‘Dada’)
• Readers Write In #558: Ultimeta Varisu
• Readers Write In #557: Ntikkakkakkoru Premondarnn – A simple, feel-good film with effective performances!
• Mansore’s ‘19-20-21’ is a solid, docudrama-style deep dive into the injustices faced by tribals
• Interview: Avinash Tiwary
• Rahat Mahajan’s ‘Meghdoot – The Cloud Messenger’ is a beautifully imagined tale of a love that transcends time
• Readers Write In #556: Abishekspeare in love
• Interview: GV Prakash / Venky Atluri (Vaathi)
• ‘Spotify: Cinema with BR’ Episode 8: Thoughts on ‘Vinnai Thaandi Varuvaaya’ (Movie of the Month)
• Readers Write In #555: Call
• Readers Write In #554: Sunny Deol, the man of our times
• Interview: Smriti Mundhra (The Romantics)
• Shan Thulaseedharan’s ‘Dear Vaappi’, starring Lal and Anagha Narayanan, is a modest feel-good drama about chasing a dream
• Vignesh Kumulai’s ‘Karparaa’ is a quiet stunner, an unsentimental look at an aged couple at the mercy of the young
• Readers Write In #553: Vaathi – Predictable, loud and all, but remains passable with moments that work!
• Readers Write In #552: Christy – A love story in which ambiguity could be your deal breaker!
• Readers Write In #551: GVM Crossword
• Readers Write In #550: Memorable mini-moments from our Menon’s movies
• Pattukaran – Rajaism Pannuvom, featuring Baradwaj Rangan
• Venky Atluri’s ‘Vaathi’, starring Dhanush, is a half-decent, not-bad masala movie that could have been much better
• Mohan G’s ‘Bakasuran’, starring Selvaraghavan and Natarajan Subramaniam, is a dull drama about the exploitation of women
• ‘Spotify: Cinema with BR’ Episode 7: Dhanush / Selvaraghavan / Vaathi-Sir / Bakasuran
• Interview: Selvaraghavan, the actor (Bakasuran)
• Readers Write In #549: ‘‘Dada’ movie review: A potent domestic drama that opts for easy way out
• Readers Write In #548: Not defending a movie tradesman about testosterone, but defending
• The filmmaking is better than the writing in  Jithin Issac Thomas’s ‘Rekha’, a love story that morphs into a detective story
• Don Palathara’s ‘Family’ is a wonderfully sinister drama about conforming to one’s community
• Ganesh K Babu’s ‘Dada’, despite its second-half issues, is a solid relationship drama
• ‘Spotify: Cinema with BR’ Episode 6: Ask the Critic
• B Unnikrishnan’s ‘Christopher’, starring Mammootty, is a loud, blunt weapon of a movie about a vigilante cop
• Hansal Mehta’s ‘Faraaz’ works better as a document of a tragedy than as a debate about the modern Muslim
• Saheed Arafath’s superb ‘Thankam’ disguises an emotional “friendship story” as a police procedural
• Lights, Camera, Analysis: Anurag Kashyap (Almost Pyaar With DJ Mohabbat)
• Lijo Jose Pellissery’s magical new movie with Mammootty, ‘Nanpakal Nerathu Mayakkam’, is an instant classic
• Interview: Venky Atluri (Sir / Vaathi)
• Interview: Raj & DK, Vijay Sethupathi, Shahid Kapoor, Raashi Khanna (Farzi)
• Readers Write In #547: Maid of the Mist
• Anurag Kashyap’s ‘Almost Pyaar with DJ Mohabbat’ is a love story that turns the conventional love story on its head
• Jayaprakash Radhakrishnan’s well-intentioned ‘Thalaikoothal’ is a drama that stays at an arm’s length
• Shan’s ‘Bommai Nayagi’ gives Yogi Babu the space to be dramatic, but the story-handling is too simplistic
• Farewell, Vani Jairam
• Readers Write In #546: Nanpakal Nerathu Mayakkam – A Meditation on Existence
• ‘Spotify: Cinema with BR’ Episode 5: Dear STR
• Readers Write In #545: A Woody Allen fan rant
• Readers Write In #544: எனக்கு தெரிந்த ரங்கன்
• Farewell, K Viswanath
• Siddharth Anand’s ‘Pathaan’ is a fine blend of Hollywood-style action and desi-style masala
• Interview: Ashwiny Iyer Tiwari (Faadu)
• Twenty years, and counting…